Amanda Auchter

Books & Baubles

Tuesday, November 21, 2006

New Poem Draft

IN DEFENSE OF HER PURITY

When St. Dymphna refused to marry her father after the death of her mother, he drew his sword and struck off her head. Dymphna received the crown of martyrdom in defense of her purity in 620. She was 15 when she died.

Catholic Online

Look she said this is not her fingernail, this is not
my mother lying down for you. This is not her
pincurl, her pale wrist. She could hear

the future rushing past—the felled log, the rotten
bloom. Brushfire, her slapped cheek. Soon
her father would enter

the kitchen and watch her sweep the floor of his hair
(his first thinning, the peppered straw strands).
She would know in the way

he leaned on one elbow and said you look just like
your mother. And in the silence, there would be
the dust-swirls, her sweeping,

sweeping. Then the breath on her neck. His fingers
full of her. Then the oh darling oh love oh god.
Then her first blood between them.

Her darkening dress, her smear-stained light.

Friday, November 17, 2006

Poem Friday #2

Tidbits:

*See my poem,"Fall of the Medici," in the Fall issue of Perihelion.
*Like ekphrasis poetry as much as I do? Check out poet Amy Newman's Ekphrasis Poetry Exercise at the Guardian. While you're at it, read her newest collection, Fall, which is undoubtedly one of my favorite books of poetry right now.
And now on to the second installation of Poem Friday:
Pluck by Mary Karr
That spring snow fell late and long to clog
every road away from the house my marriage
had withered in
and whose mortgage
I could scarce afford. Because my son

was young and my academic check
went poof each month
about day ten,
I developed pluck—
a trait much praised in Puritan texts,

which favor the spiritual clarity
suffering brings.
Pluck also keeps the low-cost, high-producing poor
digging post holes or loading deep-fat fryers
or holding tag sales where their poor

peers come to haggle over silver pie-slicers
once boxed special for the bride. This
wasn't real
poverty in America, but it soured my shrunk soul
to its nub. Nights, I lay on my mattress

on the floor, studying the clock face
with its flipping digits. One day I woke to sun
Then grass pushed up,
and my son trapped dozens of crickets
in a pickle jar's sharp, upended air.

In an old aquarium, he laid a shaggy carpet
of clover, apple hunks, and a mustard lid filled
with water—
covered with a screen, weighed
with the dictionary so the cats couldn't get in.

On Mothering Sunday, when one is obliged
to revere whatever bitch brought one
to this hard world,
my son led me down to a room
where crickets sang as if I were the sun.

Which I was, I guess, to him,
and him to me. After that, when a creditor rang
to bark his threats,
I set the phone down on the counter
so he could hear the crude creatures plucked

from the weeds by the boy, and what they sang.

Thursday, November 16, 2006

Best New Pushcart

It's anthology time! Check amazon or your local bookstore for:

This Puscart Prize anthology includes Dzvinia Orlowsky's poem, "Nude Descending," which was reprinted from the original published in Pebble Lake Review (we even got a back cover nod!).

The 2006 edition of Best New Poets includes a wide array of emerging poets and one of my latest poems. Buy it here for a whopping $11.95.

Friday, November 10, 2006

New New New

I am beginning a new installation on this blog: Poem Fridays. Every Friday, I will post my favorite poem that I've read that week (and with reading 5-6 books a month for my MFA work + journals, I have quite a lot to choose from). I will also incorporate poetry news & events I've heard about like this:
Betsy Wheeler and Dean Gorman co-edit the newly formed p i • l ot books and p i • l o t online poetry magazine. See them both here.
My friend Joshua & I are collaborating on a poetry project that involves using a) only the prose poem form and b) a call-response method. It began with Joshua's "Galápagos" and picked up steam from there. We're both loving the collaboration process and look forward to see where it will take us. Here's a teaser of what we've been working on:
Galápagos
This place has taught us something, they say, with the beak-crack of nut and seed, the specific way hunger is solved, but explain to me how this is evidence of your arms, your wrinkled palms, the smooth length of your fingers. Explain to me how these things were never planned, how all of this is adaptive. Think of this tree, how you sprang from it, lips wet, and I will tell you all the things I have never understood, how you and I are a result of some vast accumulation of chance, wing-flap of finch, vibration of throat. Explain to me what role these islands play, how over there you are long-necked or freckled, how I would not know your body’s shape.
Return of Darwin’s the Beagle (my poem)
Birds gather and the morning nests in the anchor ball. For years you’ve walked in circles, squared away the finch with the finch, the mottled tortoise shell. Let’s say when you first left, I was the tree showing promise. Let’s say I was yea high—water break, small shadow. In your absence, I armed myself with longer arms: dirt-struck, tap rooted, wing roost. When you returned, I was in my drought corner, knotted and holed. The you was your likeness—beard, book in hand, but wouldn’t hold again my new outcrop of smaller leaves, my tangled vine. I give you these ugly limbs, a favorite view. Dear, climb my body’s bark and the world is bigger. Come to me with your handkerchief and rush the clouds between us. Bright lagoon, rock bed, ship oar, make a habit of touching me with your fingers. I won’t believe the accidental. I’ve read the desire already in your ship’s white turrets.
And now on to the first installment of Poem Friday:
Bloody Mary by Kristy Bowen
It tastes of copper.
Of danger. Skinned knees
that bleed and burn.

Say it once and you can
always return safely
to your bed. Cool sheets,
summer outside swelling
with fireflies, dizzy
and wanting.

But twice and it turns
taut and bright as barbed wire.
Your mother walks into sunlight
and turns back crying. Heat
squalls beneath her tongue.

Soon your house falls down.
Violets rising in the field
of your skin and you forget
everything. Even tonight.
The moths beating themselves
against the porch light.

The whispers of pale girls,
line by line, their hair,
their words, tangling in the wind.
If you want to send in or a link to a poem to be considered for Poem Fridays, send it here.

Wednesday, November 08, 2006

After the Polls



I am so glad we're moving in a blue state direction. I saw the above You Tube on my friend Andrew's blog & was moved by it. It's a little in-your-face, but I think it's how many of us in this country have felt for a long time.
I'm disappointed that Texas is still very much a red state, even though everyone I know voted Democrat or Independent. The vast majority of Americans see Texas and Texans through the media's biased eye, which is quite unfortunate. We are not all beer-guzzling, hog-tying, cowboy-hat wearing, gun-toting freaks that live on the plains and have cattle drives. Nor do all of us have "Good 'Ol Boy" accents like Bubba Bush. I love my state, and I love my friends and family that live in it. I like that the majority of the people here are so nice and that you can drive a few hours in any direction and see the Gulf, mountains, hills, plains, tropics or snow. What I don't like is that people continue to put the Republicans in power (like our Governor Rick Perry, who is a complete failure). Health care for indigent children has been cut and state university education has been deregulated. The border is out of control and we have a serious teacher and nursing shortage. Anything, anything would be better. People forget that Texas used to be a Democratic state: LBJ, Ann Richards. What happened?